The Hexagram Star as a Labyrinth of Connection #labyrinth #hexagram #fantasyseries #warriorsoflight

The star and the labyrinth have been worldwide symbols throughout history (and most likely, prehistory), but they are not commonly combined. So why did I choose to merge the two in my metaphysical fantasy series, Warriors of Light?

To answer this, we need to explore the metaphysical origins of both. Let’s start with the star, and why I chose a hexagram.

Typically stars, when used in the realms of magic, contain five or six points. Five pointed stars are often associated with witchcraft or sorcery, and although my series is filled with “magic,” it is not the type of magic that comes from spells and wands. Instead, I wanted to explore the magic of creation. The magic that that feeds and threads through all life. And, I wanted my readers to explore their own journeys of connection. Therefore, I needed to use a six pointed star.

Otherwise known as the hexagram.

Image by OpenClipart-Vectors from Pixabay This image illustrates the balancing of yin and yang, or masculine and feminine energies that are explored in the series.

The hexagram star is widely known and utilized as a symbol for both secular and nonsecular purposes. I was particularly interested in the hexagram as a symbol that predates religion. I wanted to explore it in its “magical” elemental form. To examine its individual components (in particular, the elements that overlap and join into one). I wanted to break down the whole into the essence to form the whole again. Herein lies the origin of the labyrinth as a hexagram.

Image by Mauistik from Pixabay Commonly known as the “Star of David,” the hexagram has origins that thread throughout the world. I was particularly interested in the components of balance it offers.

Sound confusing?

Let me try to explain by switching for a bit to the labyrinth as a symbol. A labyrinth is often defined as a maze-like structure, but in the metaphysical world the maze becomes a pathway the individual takes to learn about the inner self. It is, in essence, and a journey that begins on the outside and leads to the inner core. One travels upon it to gain spiritual insight and clarity, as well as a sense of connection to Life.

Image by Gordon Johnson from Pixabay Not quite the labyrinth that is commonly used for spiritual exploration, but similar…

According to the Labyrinth Society, the labyrinth as a spiritual symbol has been around for at least 4,000 years. It has a defined structure that resembles more or less ordered pathways that lead from the outer to the inner, rather than a maze intended to confuse and disorient. The labyrinth as a maze looks more like this:

Image by DigitalShards from Pixabay Labyrinth as a maze.

For the purposes of my series, I chose to combine the maze of confusion with the labyrinth as spiritual pathway. I wanted it to be both a journey that could trap and disorient, as well as a means to reach the central core of Life. To be more like everyone’s journey. Most of us don’t find balance and connection without a fair amount of setbacks (or traps in the case of my characters), as well as a great deal of mucking through the darkness of the shadow self.

Which brings me back to the hexagram star and the “key of balance” (that comes more into play in book two of the series, yet to be released). In the Warriors of Light there are six warriors on the cusp of adolescence, at the age of thirteen when the child self dies to make way for the adult. These six warriors must not only walk individual outer paths to get to a deeper and more mature (or wiser) understanding of themselves, they must also intersect their pathways to heal the origins of Life itself.

Therefore, I needed a symbol of balance with six starting points for each of my six warriors. I needed a star with six points (of light) that joined and overlapped. A hexagram star.

The hexagram as labyrinth as used in Warriors of Light

The hexagram as a spiritual symbol, like the labyrinth, predates organized religion. Although it seems unclear exactly where its origins lie, or for how long this symbol has been used, the hexagram has a history across the globe. And, as a magical symbol, represents harmony and balance. Two equilateral triangles overlap to form a star. One pointing above, one pointing below. In elemental terms they are often viewed as representing water and fire (and sometimes combined with earth and air). A balance of yin with yang. Masculine and feminine energies merging into one.

My six warriors are not only a mix of “males” and “females,” within each of them is a predominance of one or more elements, as well as ethnicities. And, as a group, there is a balance of yin and yang energies that don’t necessarily follow societal norms. Together, they are tasked with a mission to restore balance to the world. A balance that has been broken by the impacts of the human race. To restore this balance, they must navigate the broken pathways of the labyrinth as a hexagram and restore the light of connection. And so, therein lies a story of the hexagram as a labyrinth.

Seeding the stones: Keeping A Promise to a Dragon and a Stone Part 4 #vthikes #dragonlines #dragonstones

We left the eye with more questions than answers. Inside my mind’s eye I could still see the figure of white light standing over the pyramid stone. Waiting for our arrival. Waiting for the white pillar of crystal I had promised to seed at its base.

So much to see and discover off the beaten path.

It was a short walk, through the tangle of roots and moss, to get back to the stone that had filled my thoughts for two months. I dropped my backpack nearby, and began digging through the contents for the wrapped selenite and Sophia’s small pyramid of rose quartz. As I searched for the pink stone, a noise rustled the forest into alert and we knew hikers were approaching.

Worry set in a bit as I wondered if we would be interrupted when it really matter most, but I soon discovered that our visitors were, in essence, just what we needed. A heaviness had set in after leaving the guardians and the white boulder. I, personally, felt a bit of an unease as to whether we were really meant to be near the “eye,” or had tried to “look” too closely at what was not meant to be observed. But there had been the wren, and I had to believe there was a purpose to our visit, even it if was not wholly revealed.

Ari the wolf-like rescue dog. Eager to make new friends.

The wolf-dog appeared before his human companion. Later, Deb would remark about how even her appearance seemed more than accidental. A tall blond with blue eyes filled with an ethereal light. She and her rescued husky brought a joy that was much needed. That had somehow dissipated after our climb.

Ari and his caretaker had lightened our collective mood, and after their departure we decided to take a few moments to ground ourselves with some food and water. It was clear, through our visitors, that we were not meant to rush.

Trusting the inner guidance I was receiving, I suggested we form our own pyramid to seed our offerings and then join our energy with the energies surrounding us.

It was a natural unfolding, the white pillar slid into darkness, settling well below the base of the mighty stone above it, while Sophia and Deb seeded their stones at the points of their calling. No one else appeared from the trails as we gathered together again to extend our arms into three sides. Each voice, in turn, opening to words of gratitude for our presence being allowed. And, our offerings being received.

Our work soon felt complete, and a quiet fatigue settled in as we began to make our descent down the mountain. Although we shared words, we were also individually wrapped in the processing of our experiences. I, wondering if the lines might shine a little brighter than when I had first arrived on the serpent mountain two months prior. And, perhaps, a little more opened. Lines rejoining as the crystals settled back into the body of the Mother.

“It’s a snake!” Deb announced, as I shrieked and jumped back into the arms of Sophia.

“Oh gosh,” I apologized. “I’m so sorry. I didn’t mean to scare it away.”

Not the snake from that day, but similar.

A garter snake, well into adulthood, its brown and tawny body blending with the earth, slithered away from our path and into the underbrush of the forest.

I thought of Shesha, the snake-boy from my book. The fourth character in the six to appear that day. And we all thought of Isis. It seemed a fitting guide for the end of our journey.

The small blue car coasted down the mountain with more ease than it had ascended. As we turned the corner to join the main road, a bear arose from the wooden face of a store placard. There, before me, was my sign from Sula, the bear-girl. All that was left was Dell. The otter girl. I realized the chances of seeing an otter that day were slim, but still I wondered if the hexagram would complete itself.

Less than twenty-four hours it would. Opening the screen of my computer, an otter would appear. It was time to await the next journey. Wherever and whenever that might be.

Fairy Bells #writephoto

blue
Photo Credit: Sue Vincent

The fairies began to spread the blue bells soon after the last footstep had departed. In the center of their forest, they heaved the torn limbs of an ash into a pyramid. Gaia sighed relief as they gathered around the remains of the fallen and began to dance, calling in the salamanders to light the pyre.

Orange flames sang through the night as the salamanders caressed the broken branches. Sparks of light rose to taste the darkness, only to be caught on the tongues of the sylphs as they wove the invisible threads into a star.

Water arrived to collapse the flames, pouring down from the clouds to hydrate the hungry land. Undines rode the raindrops to the pyre, collapsing the flames. Out of the shadows, the columns of light appeared to take their places.

The lines of the hexagram glowed golden as the elements joined through dimensions, uniting the above to the below, and the ground began to rumble with life. The dragon was awake.

 

For Sue Vincent’s #writephoto prompt, #Bells