Writing what you know?

Sue Vincent's Daily Echo

We are always told that we should write what we know. To an extent, that is true, but those who are writing murder mysteries, for example, are hardly likely to start poisoning/bludgeoning/shooting their nearest and dearest in the name of research. As a reader, though, you want to feel as though the writer really understands his subject, with the kind of expertise that seems so natural that it never shows.

Most of us, if we are honest, have experienced, even at the mildest level, the emotions that can, when taken to extreme and pathological levels, lead to such acts. Being human, we have every human emotion in our library of experience, even if some of them are gleaned through immersion in book or film, or experienced through dream. Even if we have to draw upon them and take them far beyond our own experience, we have a starting point in…

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