“The ley lines, lad. The ley lines. The lines of light in Earth. Some call them dragon lines. They haven’t been right for quite a long time now. Clogged by darkness. Broken by greed. I’m a mess. But then again, that’s nothing unusual these days. The entire planet is filled with broken lines and clogged pores, you might say. But you’re here to help fix that. So much work to be done. You best get started.” — Albion speaking to Ari, Book 2: Warriors of Light

“When we saw the cover of your book, we knew you had to be here,” Sue confided after I arrived for the June 2018 Silent Eye School of Consciousness workshop. The hexagram started appearing to me before I enrolled with the school and even before I met Sue through the wonderful world of blogging. Sue, though, has been my primary human guide as I navigate this sacred symbol and others.

The mystical hexagram seems to defy time and language, appearing throughout history and prehistory on Earth, as well as in the alignment of heavenly bodies. As above, so below. It unites the male and female aspects of ourselves and the “world” at large. Six years ago, I realized this symbol was asking to take form upon the pages of the book I had begun to write. Appearing in a grove of oaks, it looked like a maze of broken light. As I wrote, allowing myself to be led by the unseen force of the higher consciousness, I came to realize that lines of energy exist in the Earth and within us as the life force energy that is the “Light of Life” itself.

And so it was no surprise that I was drawn to the workshop before I even knew why. The hexagram, leading the way. There was the hexagon around the Cerne Abbas giant, which aligned with the stars above. Orion mapping the inner and outer-landscape at each site we visited. Seven churches forming a star with an inner point of light. And, dragon lines running through it all, guiding present and long forgotten footeps.

“In the middle of the hexagon is the source of the golden light, but there are a million paths to get there. I don’t know how to explain it exactly. It’s like a spider’s web. There are smaller lines of light, like veins on a leaf, which fill the large star we share, all leading to the center.” — Sula, The Labyrinth, Book 1: Warriors of Light 

I’m not sure I’ll ever be wholly or holy comfortable in a church. Although I admire their outer beauty, there is a rigidness to their structures that constricts my cells. An old church sits atop Brentor in England. Dedicated to St. Michael, it resides along his ley line. Inside the church, which still feels very solid and powerful in form, there is a stained glass window of the saint who is often seen in other churches slaying a dragon. Not so here.

Instead, the dragon lies dormant below him. The mound of earth itself, having erupted with its fire energy thousands of years before. It is no wonder I was not comfortable within these fortified walls. Although the saint here looks a bit wild and paganish with his feathered attire, his visage is fierce as he looks down upon the land with his sword poised for striking. His skirt wears the eyes of the peacock. Is there a bold defiance in this image inside a church that has laid claim to the land?

The gargoyles here do not appear on the roof of the stone building, but in the guardian stone itself, which sits, placed by Nature one presumes, at the base of the hill.

I like this stone, as I do most stones that feel like there is a living presence within them. They often feel like friends, and when approached with trust and an open heart, they have much to share. Eyes are often drawn to them without always knowing why.

The jagged rock of the guardian stone mirrors the tor it guards. Born of fire and earth, it is a hybrid of forces that feel unbalanced. I cannot help but think of Glastonbury Tor, so different from Brentor with its elegant conical shape, which to me feels very feminine, yet powerfully in control and aligned with the sacred heart. I do not recall seeing a guardian stone when I was there two years ago. Just ewes with their spring lambs dotting the landscape with the energy of rebirth and the promise of a resurrected heart filled with Christ-consciousness for those who wish to ascend its summits.

Brentor, in contrast, seems to represent a struggle of forces. As though the the battle between Earth and Man has yet to be won. Its church is largely intact, and dominates its summit, unlike the solitary tower that remains rather elegantly atop Glastonbury. Beautiful and non-threatening. Yet, is there really a victory to be won here?

The giant that lies under St. Michael’s church at Brentor may be latent at present, but history has taught us that we cannot conquer forces that are greater than ourselves, because these forces also reside within us, unbalanced. When we disrupt the energies in Earth, as we are doing now, She responds to our unease. When will we learn?

Water, like fire, runs through the veins of Earth. Nearby the base of Brentor, there is a small stone enclosure that appears to mark a sacred stream. Unlike Glastonbury, this one is mostly hidden, and there is no urging of tourists to gather. Yet, there it is filled with hope, carrying the blood of life through the land.